Education
Education
PhD in Graphic Design / Ottoman Typography History
Mimar Sinan Fine Arts University, Istanbul, Turkey
PhD in Graphic Design
Mimar Sinan Fine Arts University, Istanbul, Turkey
MFA in Visual Communication Design
Purdue University, West Lafayette IN, USA
MFA in Visual Communication Design
Purdue University, West Lafayette IN, USA
BFA in Graphic Design
Bilkent University, Ankara, Turkey
Teaching Experience
Teaching Experience
Assistant Professor, Visual Communication Design
Sabancı University, VAVCD Program, Istanbul, Turkey
Assistant Professor, Visual Communication Design
Sabancı University, VAVCD Program, Istanbul, Turkey
Assistant Professor
Visual Communication Design
Sabancı University, Istanbul, Turkey
Instructor, Visual Communication Design
Sabancı University, VAVCD Program, Istanbul, Turkey
Instructor, Visual Communication Design
Sabancı University, VAVCD Program, Istanbul, Turkey
Instructor
Visual Communication Design
Sabancı University, Istanbul, Turkey
Instructor, Visual Communication Design
Purdue University, West Lafayette IN, USA
Instructor, Visual Communication Design
Purdue University, West Lafayette IN, USA
Instructor
Visual Communication Design
Purdue University, West Lafayette IN, USA
Selected Publications
Selected Publications
Yazıcıgil O., Önduygu, C. Deniz, Visualizing the Genealogy of Ottoman Naskh Types, manifold.press.
Yazıcıgil O., Önduygu, C. Deniz, Visualizing the Genealogy of Ottoman Naskh Types, manifold.press.
Yazıcıgil O., Önduygu, C. Deniz, Visualizing the Genealogy of Ottoman Naskh Types, manifold.press.
Yazıcıgil O., Önduygu, C. Deniz, Visualizing the Genealogy of Ottoman Naskh Types, manifold.press.
Yazıcıgil O., Önduygu, C. Deniz, Visualizing the Genealogy of Ottoman Naskh Types, manifold.press.
Yazıcıgil O., Önduygu C. Deniz, Osmanlı Nesih Hurufatının Soyağacını Görselleştirmek, manifold.press.
Yazıcıgil O., Önduygu C. Deniz, Osmanlı Nesih Hurufatının Soyağacını Görselleştirmek, manifold.press.
Yazıcıgil O., Önduygu C. Deniz, Osmanlı Nesih Hurufatının Soyağacını Görselleştirmek, manifold.press.
Yazıcıgil O., Önduygu C. Deniz, Osmanlı Nesih Hurufatının Soyağacını Görselleştirmek, manifold.press.
Yazıcıgil O., Önduygu C. Deniz, Osmanlı Nesih Hurufatının Soyağacını Görselleştirmek, manifold.press.
Yazıcıgil O., Pergamon: Yunan Harfli Bir Yazı Tipi Tasarımı (A Greek Script Typeface Design), Istanbul, YEM.
Yazıcıgil O., Pergamon: Yunan Harfli Bir Yazı Tipi Tasarımı (A Greek Script Typeface Design), Istanbul, YEM.
Yazıcıgil O., Pergamon: Yunan Harfli Bir Yazı Tipi Tasarımı (A Greek Script Typeface Design), Istanbul, YEM.
Yazıcıgil O., Pergamon: Yunan Harfli Bir Yazı Tipi Tasarımı (A Greek Script Typeface Design), Istanbul, YEM.
Yazıcıgil O., Pergamon: Yunan Harfli Bir Yazı Tipi Tasarımı (A Greek Script Typeface Design), Istanbul, YEM.
Yazıcıgil O., ‘The Genealogy of Ottoman naskh printing types (1729-1928)’, in Nemeth T. (ed.) Arabic Typography: History and Practice, Salenstein, Niggli.
Yazıcıgil O., ‘The Genealogy of Ottoman naskh printing types (1729-1928)’, in Nemeth T. (ed.) Arabic Typography: History and Practice, Salenstein, Niggli.
Yazıcıgil O., ‘The Genealogy of Ottoman naskh printing types (1729-1928)’, in Nemeth T. (ed.) Arabic Typography: History and Practice, Salenstein, Niggli.
Yazıcıgil O., ‘The Genealogy of Ottoman naskh printing types (1729-1928)’, in Nemeth T. (ed.) Arabic Typography: History and Practice, Salenstein, Niggli.
Yazıcıgil O., ‘The Genealogy of Ottoman naskh printing types (1729-1928)’, in Nemeth T. (ed.) Arabic Typography: History and Practice, Salenstein, Niggli.
Yazıcıgil O., Arap Harfli Tipografi Üzerine Yeni Bir Kitap, manifold.press.
Yazıcıgil O., Arap Harfli Tipografi Üzerine Yeni Bir Kitap, manifold.press.
Yazıcıgil O., Arap Harfli Tipografi Üzerine Yeni Bir Kitap, manifold.press.
Yazıcıgil O., Arap Harfli Tipografi Üzerine Yeni Bir Kitap, manifold.press.
Yazıcıgil O., Arap Harfli Tipografi Üzerine Yeni Bir Kitap, manifold.press.
Yazıcıgil O., Osmanlı Matbuatının Sekiz Punto Nesih Yazı Karakteri ve Türk Hurufat Yapımcısı Mehmed Emin Efendi, Sanat Tarihi Yıllığı 31.
Yazıcıgil O., Osmanlı Matbuatının Sekiz Punto Nesih Yazı Karakteri ve Türk Hurufat Yapımcısı Mehmed Emin Efendi, Sanat Tarihi Yıllığı 31.
Yazıcıgil O., Osmanlı Matbuatının Sekiz Punto Nesih Yazı Karakteri ve Türk Hurufat Yapımcısı Mehmed Emin Efendi, Sanat Tarihi Yıllığı 31.
Yazıcıgil O., Osmanlı Matbuatının Sekiz Punto Nesih Yazı Karakteri ve Türk Hurufat Yapımcısı Mehmed Emin Efendi, Sanat Tarihi Yıllığı 31.
Yazıcıgil O., Osmanlı Matbuatının Sekiz Punto Nesih Yazı Karakteri ve Türk Hurufat Yapımcısı Mehmed Emin Efendi, Sanat Tarihi Yıllığı 31.
Selected Presentations
Selected Presentations
Selected Presentations
Harmonizing the dichotomy of writing and printing: Armenian printers and type-makers in the Ottoman Empire | Symposium on Armenians in the Early Modern Ottoman Empire. Ibn Haldun University, İstanbul.
Harmonizing the dichotomy of writing and printing: Armenian printers and type-makers in the Ottoman Empire | Symposium on Armenians in the Early Modern Ottoman Empire, Ibn Haldun University, İstanbul.
Harmonizing the dichotomy of writing and printing: Armenian printers and type-makers in the Ottoman Empire | Symposium on Armenians in the Early Modern Ottoman Empire,
Ibn Haldun University, İstanbul.
Harmonizing the dichotomy of writing and printing: Armenian printers and type-makers in the Ottoman Empire | Symposium on Armenians in the Early Modern Ottoman Empire, Ibn Haldun University, İstanbul.
Harmonizing the dichotomy of writing and printing
Symposium on Armenians in the Early Modern Ottoman Empire, Ibn Haldun University, İstanbul
İstanbul’un Ötesinde: Osmanlı Matbu Hurufatının İstanbul Dışındaki Kullanımı
Tarih Vakfı 2023 | ANAMED, İstanbul.
İstanbul’un Ötesinde: Osmanlı Matbu Hurufatının İstanbul Dışındaki Kullanımı
Tarih Vakfı 2023 | ANAMED, İstanbul.
İstanbul’un Ötesinde: Osmanlı Matbu Hurufatının İstanbul Dışındaki Kullanımı
Tarih Vakfı 2023 | ANAMED, İstanbul
İstanbul’un Ötesinde: Osmanlı Matbu Hurufatının İstanbul Dışındaki Kullanımı
Tarih Vakfı 2023 | ANAMED, İstanbul
İstanbul’un Ötesinde: Osmanlı Matbu Hurufatının İstanbul Dışındaki Kullanımı
Tarih Vakfı 2023 | ANAMED, İstanbul
History of Graphic Design in Turkey (19th—21st centuries)
FEED 2023 | Nowy Teatr, Warsaw, Poland
History of Graphic Design in Turkey (19th—21st centuries)
FEED 2023 | Nowy Teatr, Warsaw, Poland
History of Graphic Design in Turkey (19th—21st centuries)
FEED 2023 | Nowy Teatr, Warsaw, Poland
History of Graphic Design in Turkey
FEED 2023 | Nowy Teatr, Warsaw, Poland
The Pergamon Project: A Greek Type Revivalism Project
ATypI 2023 | Sorbonne Université, Paris, France
The Pergamon Project: A Greek Type Revivalism Project
ATypI 2023 | Sorbonne Université, Paris, France
The Pergamon Project: A Greek Type Revivalism Project
ATypI 2023 | Sorbonne Université, Paris, France
The Pergamon Project: A Greek Type Revivalism Project
ATypI 2023 | Sorbonne Université, Paris, France
The Pergamon Project, ATypI 2023 | Sorbonne Université, Paris, France
The Ottoman Printer’s 8 pt Naskh type and its Turkish Type Maker M. Emin Efendi
ISType 2022 | Sakıp Sabancı Museum, Istanbul, Turkey
The Ottoman Printer’s 8 pt Naskh type and its Turkish Type Maker M. Emin Efendi
ISType 2022 | Sakıp Sabancı Museum, Istanbul, Turkey
The Ottoman Printer’s 8 pt Naskh type, ISType 2022 | Sakıp Sabancı Museum, Istanbul, Turkey
Transcending Istanbul Ottoman: Naskh types beyond the city’s borders
Mashq 2022 | American University of Beirut , Beirut, Lebanon
Transcending Istanbul Ottoman: Naskh types beyond the city’s borders
Mashq 2022 | American University of Beirut , Beirut, Lebanon
Transcending Istanbul Ottoman: Naskh types beyond the city’s borders, Mashq 2022 | American University of Beirut , Beirut, Lebanon
The Typographic Evolution of Ottoman Naskh Typefaces
Typoday 2020 | Applied Science University , Amman, Jordan
The Typographic Evolution of Ottoman
Naskh Typefaces, Typoday Applied Science University , Amman, Jordan
How simplified is simplified Arabic type? A 19th century attempt to challenge the conventions of Ottoman Naskh, presentation w/ Özlem Özkal | ICTVC 2019, Patras, Greece
Hakkâk ve Matbaacı Ohannes Mühendisyan presentation & Sound Composition w/ Candaş Şişman | Hrant Dink Foundation, Istanbul, Turkey
Ottoman Naskh Typefaces: Origins, Development and European Counterparts
Typofest 2018 | Plovdiv Drama Theatre, Plovdiv, Bulgaria
Bridging Between Arabic Script & Type, panel w/ Lara Captan and Kristyan Sarkis
Dar El-Nimer for Arts and Culture, Beirut, Lebanon
Osmanlı Tipografi ve Font Kültürü
İkinci Uluslararası Basev Kongresi, İstanbul, Türkiye
The Genealogy of the Ottoman Naskh Typefaces
Granshan 2016 | Navigating Communities, Cairo, Egypt
Rethinking Typography as a Field in Turkey, presentation w/ Özlem Özkal
ICTVC 2016 | Thessaloniki, Greece
The Pivotal Role of Arabic Script Grammar in the Transition From
Manual to Mechanized Text reproduction, presentation w/ Thomas Milo
University of Birmingham, Birmingham, United Kingdom
The Pivotal Role of Arabic Script Grammar in the Transition From
Manual to Mechanized Text reproduction, presentation w/ Thomas Milo
University of Birmingham, Birmingham, United Kingdom
The Pivotal Role of Arabic Script Grammar in the Transition From Manual to Mechanized Text reproduction, presentation w/ Thomas Milo
University of Birmingham, Birmingham, UK
Ottoman Typography Towards Modernisation, w/ Özlem Özkal
FaceForward | Dublin Institute of Technology, Dublin, Ireland
The Pivotal Role of Arabic Script Grammar in the Transition From
Manual to Mechanized Text reproduction, presentation w/ Thomas Milo
Granshan 2015 | University of Reading, Reading, United Kingdom
The Pivotal Role of Arabic Script Grammar in the Transition From Manual to Mechanized Text reproduction, presentation w/ Thomas Milo
Granshan 2015 | University of Reading, UK
Text typefaces versus display typefaces in the Ottoman Empire
TYPO Berlin | Haus der Kulturen der Welt, Berlin, Germany
Text typefaces versus display typefaces in the Ottoman Empire, TYPO Berlin | Haus der Kulturen der Welt, Berlin, Germany
Setting up Latin Typography in Turkey, presentation w/ Özlem Özkal
ATypI 2014 | Museu del Disseny de Barcelona, Barcelona, Spain
Turkish Script Reform and Typography, Presentation
Let’s Type Conference, École Supérieure d’Art de Lorraine, Metz, France
Turkish Script Reform and Typography, Presentation
Let’s Type Conference, École Supérieure d’Art de Lorraine, Metz, France
Turkish Script Reform and Typography, Presentation
Let’s Type Conference, École Supérieure d’Art de Lorraine, Metz, France
A Graphic Interference on Semantic Flow, Presentation
TypeCon 2013 | Design Education Forum, Portland, OR, USA
A Graphic Interference on Semantic Flow, Presentation
TypeCon 2013 | Design Education Forum, Portland, OR, USA
A Graphic Interference on Semantic Flow, Presentation w/ Elif Ayiter
DI-EGY-FEST | Consciousness Reframed 13, Cairo, Egypt
A Graphic Interference on Semantic Flow, Presentation w/ Elif Ayiter
International Conference on Arts and Technology 2011, Esbjerg, Denmark
The Lack of Latin Typographic Heritage and Type Design in Turkey
ATypI 2011 | Harpa Concert Hall, Reykjavik, Iceland
The Lack of Latin Typographic Heritage and Type Design in Turkey, ATypI 2011 | Harpa Concert Hall, Reykjavik, Iceland
The Lack of Latin Typographic Heritage and Type Design in Turkey
TypeCon 2011 | New Orleans, LA, USA
Contact
onur@istype.com
Sabancı University
Faculty of Arts & Social Sciences
Tuzla, 34956 Istanbul
All Rights Reserved ©2024 Onur Yazıcıgil