Onur Yazıcıgil is an Istanbul-based typographer and design educator. Born in 1983, Onur spent his early years drawing letters in Dhahran and Ankara — early signs of a passion that led him to move to the States in 2006 to study the historical evolution of Latin sans-serif typefaces at Purdue University. After the completion of his MFA, he was recruited to teach at Sabancı University, where he designed his first text face, Duru Sans, which was acquired by Google Fonts. In addition to co-founding ISType in 2011, Onur served as a board member at ATypI from 2013-2019 and has lectured on numerous topics in the field of typography. In 2020 he completed his PhD in the history of Ottoman typography at Mimar Sinan University. His most recent type family, Kit was published by Darden Studio and made available via Adobe Fonts library in 2023.

Onur Yazıcıgil is an Istanbul-based typographer and design educator. Born in 1983, Onur spent his early years drawing letters in Dhahran and Ankara — early signs of a passion that led him to move to the States in 2006 to study the historical evolution of Latin sans-serif typefaces at Purdue University. After the completion of his MFA, he was recruited to teach at Sabancı University, where he designed his first text face, Duru Sans, which was acquired by Google Fonts. In addition to co-founding ISType in 2011, Onur served as a board member at ATypI from 2013-2019 and has lectured on numerous topics in the field of typography. In 2020 he completed his PhD in the history of Ottoman typography at Mimar Sinan University. His most recent type family, Kit was published by Darden Studio and made available via Adobe Fonts library in 2023.

Onur Yazıcıgil is an Istanbul-based typographer and design educator. Born in 1983, Onur spent his early years drawing letters in Dhahran and Ankara — early signs of a passion that led him to move to the States in 2006 to study the historical evolution of Latin sans-serif typefaces at Purdue University. After the completion of his MFA, he was recruited to teach at Sabancı University, where he designed his first text face, Duru Sans, which was acquired by Google Fonts. In addition to co-founding ISType in 2011, Onur served as a board member at ATypI from 2013-2019 and has lectured on numerous topics in the field of typography. In 2020 he completed his PhD in the history of Ottoman typography at Mimar Sinan University. His most recent type family, Kit was published by Darden Studio and made available via Adobe Fonts library in 2023.

Onur Yazıcıgil is an Istanbul-based typographer and design educator. Born in 1983, Onur spent his early years drawing letters in Dhahran and Ankara — early signs of a passion that led him to move to the States in 2006 to study the historical evolution of Latin sans-serif typefaces at Purdue University. After the completion of his MFA, he was recruited to teach at Sabancı University, where he designed his first text face, Duru Sans, which was acquired by Google Fonts. In addition to co-founding ISType in 2011, Onur served as a board member at ATypI from 2013-2019 and has lectured on numerous topics in the field of typography. In 2020 he completed his PhD in the history of Ottoman typography at Mimar Sinan University. His most recent type family, Kit was published by Darden Studio and made available via Adobe Fonts library in 2023.

Onur Yazıcıgil is an Istanbul based typographer and design educator. Born in 1983, Onur spent his early years drawing letters in Dhahran and Ankara — early signs of a passion that led him to move to the States in 2006 to study the historical evolution of Latin sans-serif typefaces at Purdue University. After the completion of his MFA, he was recruited to teach at Sabancı University, where he designed his first text face, Duru Sans, which was acquired by Google Fonts. In addition to co-founding ISType in 2011, Onur served as a board member at ATypI from 2013-2019 and has lectured on numerous topics in the field of typography. In 2020 he completed his PhD in the history of Ottoman typography at Mimar Sinan University. His most recent type family, Kit was published by Darden Studio and made available via Adobe Fonts library in 2023.

Yazıcıgil O., Önduygu, C. Deniz, Visualizing the Genealogy of Ottoman Naskh Types, manifold.press.

Yazıcıgil O., Önduygu, C. Deniz, Visualizing the Genealogy of Ottoman Naskh Types, manifold.press.

Yazıcıgil O., Önduygu, C. Deniz, Visualizing the Genealogy of Ottoman Naskh Types, manifold.press.

Yazıcıgil O., Önduygu, C. Deniz, Visualizing the Genealogy of Ottoman Naskh Types, manifold.press.

Yazıcıgil O., Önduygu, C. Deniz, Visualizing the Genealogy of Ottoman Naskh Types, manifold.press.

Yazıcıgil O., Önduygu C. Deniz, Osmanlı Nesih Hurufatının Soyağacını Görselleştirmek, manifold.press.

Yazıcıgil O., Önduygu C. Deniz, Osmanlı Nesih Hurufatının Soyağacını Görselleştirmek, manifold.press.

Yazıcıgil O., Önduygu C. Deniz, Osmanlı Nesih Hurufatının Soyağacını Görselleştirmek, manifold.press.

Yazıcıgil O., Önduygu C. Deniz, Osmanlı Nesih Hurufatının Soyağacını Görselleştirmek, manifold.press.

Yazıcıgil O., Önduygu C. Deniz, Osmanlı Nesih Hurufatının Soyağacını Görselleştirmek, manifold.press.

Yazıcıgil O., Pergamon: Yunan Harfli Bir Yazı Tipi Tasarımı (A Greek Script Typeface Design), Istanbul, YEM.

Yazıcıgil O., Pergamon: Yunan Harfli Bir Yazı Tipi Tasarımı (A Greek Script Typeface Design), Istanbul, YEM.

Yazıcıgil O., Pergamon: Yunan Harfli Bir Yazı Tipi Tasarımı (A Greek Script Typeface Design), Istanbul, YEM.

Yazıcıgil O., Pergamon: Yunan Harfli Bir Yazı Tipi Tasarımı (A Greek Script Typeface Design), Istanbul, YEM.

Yazıcıgil O., Pergamon: Yunan Harfli Bir Yazı Tipi Tasarımı (A Greek Script Typeface Design), Istanbul, YEM.

Yazıcıgil O., ‘The Genealogy of Ottoman naskh printing types (1729-1928)’, in Nemeth T. (ed.) Arabic Typography: History and Practice, Salenstein, Niggli.

Yazıcıgil O., ‘The Genealogy of Ottoman naskh printing types (1729-1928)’, in Nemeth T. (ed.) Arabic Typography: History and Practice, Salenstein, Niggli.

Yazıcıgil O., ‘The Genealogy of Ottoman naskh printing types (1729-1928)’, in Nemeth T. (ed.) Arabic Typography: History and Practice, Salenstein, Niggli.

Yazıcıgil O., ‘The Genealogy of Ottoman naskh printing types (1729-1928)’, in Nemeth T. (ed.) Arabic Typography: History and Practice, Salenstein, Niggli.

Yazıcıgil O., ‘The Genealogy of Ottoman naskh printing types (1729-1928)’, in Nemeth T. (ed.) Arabic Typography: History and Practice, Salenstein, Niggli.

Yazıcıgil O., Arap Harfli Tipografi Üzerine Yeni Bir Kitap, manifold.press.

Yazıcıgil O., Arap Harfli Tipografi Üzerine Yeni Bir Kitap, manifold.press.

Yazıcıgil O., Arap Harfli Tipografi Üzerine Yeni Bir Kitap, manifold.press.

Yazıcıgil O., Arap Harfli Tipografi Üzerine Yeni Bir Kitap, manifold.press.

Yazıcıgil O., Arap Harfli Tipografi Üzerine Yeni Bir Kitap, manifold.press.

Yazıcıgil O., Osmanlı Matbuatının Sekiz Punto Nesih Yazı Karakteri ve Türk Hurufat Yapımcısı Mehmed Emin Efendi, Sanat Tarihi Yıllığı 31.

Yazıcıgil O., Osmanlı Matbuatının Sekiz Punto Nesih Yazı Karakteri ve Türk Hurufat Yapımcısı Mehmed Emin Efendi, Sanat Tarihi Yıllığı 31.

Yazıcıgil O., Osmanlı Matbuatının Sekiz Punto Nesih Yazı Karakteri ve Türk Hurufat Yapımcısı Mehmed Emin Efendi, Sanat Tarihi Yıllığı 31.

Yazıcıgil O., Osmanlı Matbuatının Sekiz Punto Nesih Yazı Karakteri ve Türk Hurufat Yapımcısı Mehmed Emin Efendi, Sanat Tarihi Yıllığı 31.

Yazıcıgil O., Osmanlı Matbuatının Sekiz Punto Nesih Yazı Karakteri ve Türk Hurufat Yapımcısı Mehmed Emin Efendi, Sanat Tarihi Yıllığı 31.

 Feb 03, 2024

Feb 03, 2024

Feb 03, 2024

Feb 03, 2024

Feb 03, 2024

Harmonizing the dichotomy of writing and printing: Armenian printers and type-makers in the Ottoman Empire | Symposium on Armenians in the Early Modern Ottoman Empire. Ibn Haldun University, İstanbul.

Harmonizing the dichotomy of writing and printing: Armenian printers and type-makers in the Ottoman Empire | Symposium on Armenians in the Early Modern Ottoman Empire, Ibn Haldun University, İstanbul.

Harmonizing the dichotomy of writing and printing: Armenian printers and type-makers in the Ottoman Empire | Symposium on Armenians in the Early Modern Ottoman Empire, 
Ibn Haldun University, İstanbul.

Harmonizing the dichotomy of writing and printing: Armenian printers and type-makers in the Ottoman Empire | Symposium on Armenians in the Early Modern Ottoman Empire, Ibn Haldun University, İstanbul.

Harmonizing the dichotomy of writing and printing 
Symposium on Armenians in the Early Modern Ottoman Empire, Ibn Haldun University, İstanbul

İstanbul’un Ötesinde: Osmanlı Matbu Hurufatının İstanbul Dışındaki Kullanımı
Tarih Vakfı 2023 | ANAMED, İstanbul.

İstanbul’un Ötesinde: Osmanlı Matbu Hurufatının İstanbul Dışındaki Kullanımı
Tarih Vakfı 2023 | ANAMED, İstanbul.

İstanbul’un Ötesinde: Osmanlı Matbu Hurufatının İstanbul Dışındaki Kullanımı
Tarih Vakfı 2023 | ANAMED, İstanbul

İstanbul’un Ötesinde: Osmanlı Matbu Hurufatının İstanbul Dışındaki Kullanımı
Tarih Vakfı 2023 | ANAMED, İstanbul

İstanbul’un Ötesinde: Osmanlı Matbu Hurufatının İstanbul Dışındaki Kullanımı 
Tarih Vakfı 2023 | ANAMED, İstanbul

The Pergamon Project: A Greek Type Revivalism Project
ATypI 2023 | Sorbonne Université, Paris, France

The Pergamon Project: A Greek Type Revivalism Project
ATypI 2023 | Sorbonne Université, Paris, France

The Pergamon Project: A Greek Type Revivalism Project
ATypI 2023 | Sorbonne Université, Paris, France

The Pergamon Project: A Greek Type Revivalism Project
ATypI 2023 | Sorbonne Université, Paris, France

The Pergamon Project, ATypI 2023 | Sorbonne Université, Paris, France