This one-day symposium delves in the burgeoning subfield of Armenian history in the early modern Ottoman Empire. As one of the speakers and facilitator of the event (ISType), I undertook the design of the event graphics. For more information on the symposium visit → istype.com/armenian_conf
This one-day symposium delves in the burgeoning subfield of Armenian history in the early modern Ottoman Empire. As one of the speakers and facilitator of the event (ISType), I undertook the design of the event graphics. For more information on the symposium visit → istype.com/armenian_conf
This one-day symposium delves in the burgeoning subfield of Armenian history in the early modern Ottoman Empire. As one of the speakers and facilitator of the event (ISType), I undertook the design of the event graphics. For more information on the symposium visit → istype.com/armenian_conf
This one-day symposium delves in the burgeoning subfield of Armenian history in the early modern Ottoman Empire. As one of the speakers and facilitator of the event (ISType), I undertook the design of the event graphics. For more information on the symposium visit → istype.com/armenian_conf
This one-day symposium delves in the burgeoning subfield of Armenian history in the early modern Ottoman Empire. As one of the speakers and facilitator of the event (ISType), I undertook the design of the event graphics. For more information on the symposium visit → istype.com/armenian_conf
“In the Realm of Three Inland Seas” was the most comprehensive exhibition of Handan Börüteçene, which opened on November 6 at Salt Beyoğlu in Istanbul. Together with Alp Eren, we designed the communication design of the exhibition.
“In the Realm of Three Inland Seas” was the most comprehensive exhibition of Handan Börüteçene, which opened on November 6 at Salt Beyoğlu in Istanbul. Together with Alp Eren, we designed the communication design of the exhibition.
“In the Realm of Three Inland Seas” was the most comprehensive exhibition of Handan Börüteçene, which opened on November 6 at Salt Beyoğlu in Istanbul. Together with Alp Eren, we designed the communication design of the exhibition.
“In the Realm of Three Inland Seas” was the most comprehensive exhibition of Handan Börüteçene, which opened on November 6 at Salt Beyoğlu in Istanbul. Together with Alp Eren, we designed the communication design of the exhibition.
“In the Realm of Three Inland Seas” was the most comprehensive exhibition of Handan Börüteçene, which opened on November 6 at Salt Beyoğlu in Istanbul. Together with Alp Eren, we designed the communication design of the exhibition.
Pergamon is one of the ancient Greek city-states (polis) that contain unique “inscriptions of honour” (tituli honorarii) carved on stone specifically to pay homage to its rulers. This book presents a Greek script typeface revivalism project based on the documentation of Pergamon’s elaborate epigraphic cultural heritage. Click here for ordering the Pergamon book →
Pergamon is one of the ancient Greek city-states (polis) that contain unique “inscriptions of honour” (tituli honorarii) carved on stone specifically to pay homage to its rulers. This book presents a Greek script typeface revivalism project based on the documentation of Pergamon’s elaborate epigraphic cultural heritage. Click here to order the book →
Pergamon is one of the ancient Greek city-states (polis) that contain unique “inscriptions of honour” (tituli honorarii) carved on stone specifically to pay homage to its rulers. This book presents a Greek script typeface revivalism project based on the documentation of Pergamon’s elaborate epigraphic cultural heritage. Click here to order the book →
Pergamon is one of the ancient Greek city-states (polis) that contain unique “inscriptions of honour” (tituli honorarii) carved on stone specifically to pay homage to its rulers. This book presents a Greek script typeface revivalism project based on the documentation of Pergamon’s elaborate epigraphic cultural heritage. Click here to order the book →
The Pergamon project is a Greek type revivalism project based on the stone inscriptions of Pergamon’s Acropolis and its Asklepieion. Published by YEM publishing, this book displays the documentation of transforming Pergamon’s elaborate epigraphic heritage into a typeface design. Click here for ordering the book →
Göbekli Tepe is one of the oldest Neolithic sites in the world. Upon the recent discovery of an additional 12 hills in its environs, the site was renamed “Taş Tepeler”, meaning “Stone Hills”. This branding project was commissioned in order to designate the entire region as an archaeological site.
Göbekli Tepe is one of the oldest Neolithic sites in the world. Upon the recent discovery of an additional 12 hills in its environs, the site was renamed "Taş Tepeler", meaning "Stone Hills". This branding project was commissioned in order to designate the entire region as an archaeological site.
Pergamon is one of the ancient Greek city-states (polis) that contain unique “inscriptions of honour” (tituli honorarii) carved on stone specifically to pay homage to its rulers. This book presents a Greek script typeface revivalism project based on the documentation of Pergamon’s elaborate epigraphic cultural heritage. Click here to order the book →
Vije is one of the leading Art & Design institutions in Iran. During a visit to Tehran in 2019, I gave a lecture on the history of Ottoman graphic & type design, followed by a three-day Latin type design workshop for Vije students.
Vije is one of the leading Art & Design institutions in Iran. During a visit to Tehran in 2019, I gave a lecture on the history of Ottoman graphic & type design, followed by a three-day Latin type design workshop for Vije students.
Vije is one of the leading Art & Design institutions in Iran. During a visit to Tehran in 2019, I gave a lecture on the history of Ottoman graphic & type design, followed by a three-day Latin type design workshop for Vije students.
After tracking down and studying Ohannes Mühendisyan’s typefaces for numerous years, I honored the ingenious Armenian punch-cutter with a commemorative lecture followed by an audiovisual performance performed by Candaş Şişman.
After tracking down and studying Ohannes Mühendisyan’s typefaces for numerous years, I honored the ingenious Armenian punch-cutter with a commemorative lecture followed by an audiovisual performance performed by Candaş Şişman.
After tracking down and studying Ohannes Mühendisyan’s typefaces for numerous years, I honored the ingenious Armenian punch-cutter with a commemorative lecture followed by an audiovisual performance performed by Candaş Şişman.
After tracking down and studying Ohannes Mühendisyan’s typefaces for numerous years, I celebrated the legendary Armenian punch-cutter with a commemorative lecture followed by an audiovisual performance by Candaş Şişman.
I was hired to conduct the layout design and typesetting of a multi-script book authored by Carl Davila, comprising 10th-century Moroccan Sufi poems in Arabic, accompanied by their corresponding meters, in addition to English descriptions. I employed Decotype's ACE system in order to achieve the aesthetics of classical naskh typesetting.
I was hired to conduct the layout design and typesetting of a multi-script book authored by Carl Davila, comprising 10th-century Moroccan Sufi poems in Arabic, accompanied by their corresponding meters, in addition to English descriptions. I employed Decotype's ACE system in order to achieve the aesthetics of classical naskh typesetting.
I was hired to conduct the layout design and typesetting of a multi-script book authored by Carl Davila, comprising 10th-century Moroccan Sufi poems in Arabic, accompanied by their corresponding meters, in addition to English descriptions. I employed Decotype's ACE system in order to achieve the aesthetics of classical naskh typesetting.
I was hired to conduct the layout design and typesetting of a multi-script book authored by Carl Davila, comprising 10th-century Moroccan Sufi poems in Arabic, accompanied by their corresponding meters, in addition to English descriptions. I employed Decotype's ACE system in order to achieve the aesthetics of classical naskh typesetting.
Contact
onur@istype.com
Sabancı University
Faculty of Arts & Social Sciences
Tuzla, 34956 Istanbul
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