Göbekli Tepe is one of the oldest Neolithic sites in the world. Upon the recent discovery of an additional 12 hills in its environs, the site was renamed “Taş Tepeler”, meaning “Stone Hills”. This branding project was commissioned in order to designate the entire region as an archaeological site.
Göbekli Tepe is one of the oldest Neolithic sites in the world. Upon the recent discovery of an additional 12 hills in its environs, the site was renamed "Taş Tepeler", meaning "Stone Hills". This branding project was commissioned in order to designate the entire region as an archaeological site.
Göbekli Tepe is one of the oldest Neolithic sites in the world. Upon the recent discovery of an additional 12 hills in its environs, the site was renamed “Taş Tepeler”, meaning “Stone Hills”. This branding project was commissioned in order to designate the entire region as an archaeological site.
Vije is one of the leading Art & Design institutions in Iran. During a visit to Tehran in 2019, I gave a lecture on the history of Ottoman graphic & type design, followed by a three-day Latin type design workshop for Vije students.
Vije is one of the leading Art & Design institutions in Iran. During a visit to Tehran in 2019, I gave a lecture on the history of Ottoman graphic & type design, followed by a three-day Latin type design workshop for Vije students.
Vije is one of the leading Art & Design institutions in Iran. During a visit to Tehran in 2019, I gave a lecture on the history of Ottoman graphic & type design, followed by a three-day Latin type design workshop for Vije students.
After tracking down and studying Ohannes Mühendisyan’s typefaces for numerous years, I honored the ingenious Armenian punch-cutter with a commemorative lecture followed by an audiovisual performance performed by Candaş Şişman.
After tracking down and studying Ohannes Mühendisyan’s typefaces for numerous years, I honored the ingenious Armenian punch-cutter with a commemorative lecture followed by an audiovisual performance performed by Candaş Şişman.
After tracking down and studying Ohannes Mühendisyan’s typefaces for numerous years, I honored the ingenious Armenian punch-cutter with a commemorative lecture followed by an audiovisual performance performed by Candaş Şişman.
After tracking down and studying Ohannes Mühendisyan’s typefaces for numerous years, I celebrated the legendary Armenian punch-cutter with a commemorative lecture followed by an audiovisual performance by Candaş Şişman.
I was hired to conduct the layout design and typesetting of a multi-script book authored by Carl Davila, comprising 10th-century Moroccan Sufi poems in Arabic, accompanied by their corresponding meters, in addition to English descriptions. I employed Decotype's ACE system in order to achieve the aesthetics of classical naskh typesetting.
I was hired to conduct the layout design and typesetting of a multi-script book authored by Carl Davila, comprising 10th-century Moroccan Sufi poems in Arabic, accompanied by their corresponding meters, in addition to English descriptions. I employed Decotype's ACE system in order to achieve the aesthetics of classical naskh typesetting.
I was hired to conduct the layout design and typesetting of a multi-script book authored by Carl Davila, comprising 10th-century Moroccan Sufi poems in Arabic, accompanied by their corresponding meters, in addition to English descriptions. I employed Decotype's ACE system in order to achieve the aesthetics of classical naskh typesetting.
I was hired to conduct the layout design and typesetting of a multi-script book authored by Carl Davila, comprising 10th-century Moroccan Sufi poems in Arabic, accompanied by their corresponding meters, in addition to English descriptions. I employed Decotype's ACE system in order to achieve the aesthetics of classical naskh typesetting.
Contact
onur@istype.com
Sabancı University
Faculty of Arts & Social Sciences
Tuzla, 34956 Istanbul
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